First of all, I have to say that this year Emmy’s noms are a huge disappointment. That’s right…
Even though they’ve decided not to ignore Orphan Black’s Tatiana Maslany AGAIN, they left out Golden Globe winner Rachel Bloom for Crazy Ex-Girlfriend, that’s one of many snubs they continue doing on the Academy TV Awards.
For them, it’s all about race and LGBT inclusiveness, not acting or creativity. That’s why we still see Viola Davis playing herself in How to get away Murder nominated on a main category. And also this transgender “comedy” that no one gets.
The Academy still manages to discriminate by fiction genre and that’s it. If you’re a horror, sci fi or fantasy flick… forget about it, no matter if it’s really good. They only take serious Game of Thrones.
So, to begin… let’s start with the big WHAT WERE YOU THINKING? Regarding some nominees that doesn’t make any sense:
Kit Harrington (Game of Thrones) – Best Supporting Actor Drama:
Are you kidding me? Jon Snow? Acting? Really? I mean, yeah, we all love the honorable man, but still he doesn’t act. It’s a joke that they took so long to nominate Maisie Williams and when they do, they threw also Kit on the mix. It’s kind of insulting.
Emilia Clarke (Game of Thrones) – Best Supporting Actress Drama:
Please stop nominating Emilia, she’s a great actress but not on Game of Thrones. She has some “moments” but still, not at the same level of other of her co-workers, Gwendoline Christie is an example of that and never recognized by the Emmys.
Viola Davis (How to get away with Murder) – Best Actress Drama:
Stop it. It’s not that impressive. She portrays a strong felted African-American woman. Isn’t that who she is?
Aziz Ansari (Master of None) – Best Actor Comedy:
He’s not funny, period. He’s only a way of the Academy to say “we’re inclusive and not a bunch of racists”… to avoid the #OscarsoWhite hashtag. That’s it. The same goes with Jeffrey Tambor on this category, but regarding the LGBT Community.
There’s plenty of more big HUH? In this nominees, but I rather expand on the big SNUBS of the season, that are simply too absurd to explain.
Here we go, the actual SNUBS of this nomination list:
Rachel Bloom (Crazy Ex-Girlfriend) – Best Actress Comedy:
The fact that the disgusting Amy Schumer is taking the place of Rachel Bloom in this category it’s why Donald Trump is running for President, as plain as that. Mediocrity and resentment. Rachel Bloom won the Golden Globe and gets left out by this people. I have not words to explain my anger. She’s BRILLIANT. She composes music, dancing, scripting, acting, lighting, you name it! She’s not setting an awful example around to make a show, like Schumer.
Freddie Highmore (Bates Motel) – Best Actor Drama:
This season we saw Freddie transitioning brilliantly into the Norman Bates actual Psycho role and he gets ignored by the Academy. Again, the discrimination with this type of stories and minor Networks. It’s unthinkable he gets snubbed, but it happened.
Eva Green (Penny Dreadful) – Best Actress Drama:
There’s no way to explain how GENIOUS Eva is on Vanessa Yves skin. She’s full of emotions, darkness and deformity in contrast with a pretty frightened persona. She was recognized with a Golden Globe nomination, but the Academy preferred not to get the HT regarding “racism”. So, they left the French beau out.
Damian Lewis (Billions) – Best Actor Drama:
It’s not a surprise that Damian was brilliant on Billions. He wasn’t actually a villain nor a hero. It was a fine line in between. He managed to nail it. And got ignored anyway.
Bobby Cannavale (Vinyl) – Best Actor Drama:
The fact that Cannavale and Vinyl didn’t get recognized at ALL it reminds us that the Academy is a business and mix with the fact that HBO recently decided not to renew the show, it doesn’t seem profitable to them to get recognized as they should. Vinyl, Cannavale and the whole cast were AMAZING, there’s no word for it, it was a sure bet for award season, so this is like the biggest joke of the night.
Vera Farmiga (Bates Motel) – Best Supporting Actress Drama:
As Freddie, Vera is the show. She’s breathtaking on every scene this season. Her two versions of Norma Bates are incredible and remind a little of Tatiana Maslany on Orphan Black portraying many characters.
John Bernthal (Marvel’s Daredevil) – Best Supporting Actor Drama:
As predicted, the Academy doesn’t respect the comic and graphic novel genre. But if they did, Bernthal should be nominated for his role as the Punisher on Daredevil. It is simply violent and heart felted. Tip of the Iceberg.
Billie Piper (Penny Dreadful) – Best Supporting Actress Drama:
This is the other one who steals the show. Piper manages to inspire fear, power and many tearful moments on Penny Dreadful. She transitioned over several types of personalities and landed on this brilliant maniac. Bur still, is like she doesn’t exist on the Academy’s radar.
Justin Theroux (The Leftovers) – Best Actor Drama:
I don’t get it… Why the Leftovers keeps getting left out? It’s absurd. Theroux is brilliant and I can point out several cast members on this show that steal the thunder from time to time: Liv Tyler, Christopher Eccleston, Amy Brenneman, Carrie Coon and Regina King. Why the Academy doesn’t get it already?
David Tennant (Marvel’s Jessica Jones) – Best Supporting Actor Drama:
Then again, the Academy doesn’t pay attention to base on comic shows. Tennant though, brought a brilliant performance stealing the whole attention of Jessica Jones first season. His manipulative charm frightened the audience a lot and that’s just brilliant acting.
There’s plenty more to go on about the SNUBS, not only in the acting categories, but in writing, directing, show and a big etcetera. But this are the main ones.
Soon I’ll make a list of shows that aired this years that are too BRILLIANT to be ignored and we’ll see if it doesn’t happen.
By far I can also say to the Academy, Saul is not Walter White, you’re not making a second “Breaking Bad” moment by getting attention with them, so cut it off.
La 88va entrega de los Academy Awards, como había predicho, dejó mucho que desear.
A pesar de esto, existieron sorpresas muy agradables, como el hecho de que Chris Rock la partió poniendo un clavo en el ataúd de la controversia de #OscarSoWhite
Chris, de la forma más elegante que pudo, se burló de los autores de este “boicot”, Jada y Will Smith, toda la noche. Recuerdo que una de sus citas fue algo así “Jada dice que va a hacer boicot no asistiendo a la ceremonia ¿Pero como vas a asistir si no te invitaron?” Cosas así, realmente Rock fue un respiro a una ceremonia cargada de películas y nominados que no merecían estar ahí.
El verdadero highlight de la noche, fue Leonardo DiCaprio, ganando BEST ACTOR después de 20 años mereciendo el galardón. Ya después me sentaré con más calma, para los que no la tienen clara, a explicar porque esto es así.
Seguido a eso, Spotlight como BEST PICTURE. La major película de la lista, definitivamente. Y Alejandro González Iñárritu llevando la estatuilla de BEST DIRECTOR, bien merecida por su gran esfuerzo en The Revenant.
Oscars predecibles de franquicia a nuevos talentos, como las desconocidas Brie Larson y Alicia Vikander en la categoría de actrices.
Un performance descomunal de Dave Ghrol en el In Memorian y por supuesto, de Lady Gaga con el tema nominado “Til it happens to You” con sobrevivientes de casos de violación en el escenario.
Impresionante Gaga y aquí es donde empieza la gran molestia con los Oscar este año, a pesar de su performance y la fuerza del tema, el premio se lo regalaron a la peor canción de la noche, esa de 007 que nadie recuerda. La peor canción de James Bond de la historia, un tema awkard con un intro wtf, más un intérprete todo forzado y llorón. Un desastre.
La otra gran molestia, fue el big snub a Sylvester Stallone, regalando otro Oscar a un actor que nadie conoce y nadie recordará que aparece en la foto con DiCaprio en el press room. A Stallone la Academia siempre le ha hecho bullying, Mark Ruffalo era el otro que merecía el premio en esa categoría, pero sabemos que la Academia en algún momento se lo va a dar.
Todos los premios técnicos que se llevó el chiste ochentero de Mad Max: Fury Road, hacen pensar que la Academia debe eliminar la mayoría de hombres de geriátrico que votan en el Oscar. Aparte que el crew de esta película, es el más pesado que he visto en mi vida, todos los que subieron recibieron el premio con discurso arrogante, como si fueran Einstein recibiendo un Nobel.
A pesar de esto, Ex Machina se llevó el galardón a FX como se lo merecía y el gran Enio Morricone finalmente fue premiado por la obra de arte que es el OST de Hateful Eight, premio que le debían a Morricone.
Con todo y esto, la noche del domingo, fue la de DiCaprio. Y este Oscar será olvidado en su totalidad, porque en resumen fue un chiste. Pasará a la historia como el OsCaprio y es lo único que la gente recordará.
Se acerca una de las fechas más esperadas empezando el 2016, los Golden Globes, la previa al Oscar. Tendrán lugar el domingo 10 de Enero de 2016 y hoy anunciaron la lista completa de nominados, tanto para Cine como para Televisión.
Algunas sorpresas en Cine, como la nominación de Mad Max: Fury Road y otras predecibles, como las tendencias LGBT que se esperaban este año: Carol y The Danish Girl.
Por el lado de Televisión, las sorpresas son realmente gratas, nuevas series como Crazy Ex-Girlfriend y Mr. Robot ascienden, a pesar de ser testigo de las mismas tendencias previamente mencionadas en Cine.
No eran expectativas tan altas en esta nueva temporada de premios, se sabía que se iba a caer en el cliché de entrar en tendencias más que evaluar el buen material del año que finaliza.
En los próximos días haremos un análisis de los nominados, nuestras predicciones y favoritos.
Esta es la lista completa de los Golden Globes 2016:
MOVIES
Best Picture, Drama Carol
Mad Max: Fury Road
The Revenant
Room
Spotlight
Best Picture, Musical or Comedy The Big Short
Joy
The Martian
Spy
Trainwreck
Best Director Todd Haynes, Carol Alejandro González Iñárritu, The Revenant Tom McCarthy, Spotlight George Miller, Mad Max: Fury Road Ridley Scott, The Martian
Best Actress, Drama Cate Blanchett, Carol Brie Larson, Room
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Saorise Ronan, Brooklyn
Best Actor, Drama
Bryan Cranston, Trumbo
Michael Fassbender, Steve Jobs
Will Smith, Concussion
Leonardo DiCaprio, The Revenant
Eddie Redmayne, The Danish Girl
Best Actor, Musical or Comedy
Christian Bale, The Big Short
Al Pacino, Danny Collins
Mark Ruffalo, Infinitely Polar Bear
Steve Carell, The Big Short
Matt Damon, The Martian
Best Actress, Musical or Comedy
Jennifer Lawrence, Joy
Amy Schumer, Trainwreck
Melissa McCarthy, Spy
Lily Tomlin, Grandma
Maggie Smith, The Lady in the Van
Best Supporting Actress
Jane Fonda, Youth
Alicia Vikander, Ex-Machina
Kate Winslet, Steve Jobs
Helen Mirren, Trumbo Jennifer Jason Leigh, The Hateful Eight
Best Supporting Actor
Sylvester Stallone, Creed
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Paul Dano, Love and Mercy
Best Screenplay Room
Spotlight
The Big Short
Steve Jobs
The Hateful Eight
Best Original Song in Motion Picture “Love Me Like You Do,” 50 Shades of Grey “See You Again,” Furious 7 “Simple Song No. 3,” Youth
“Writings On the Wall,” Spectre
“One Kind of Love,” Love and Mercy
Best Original Score Carol
The Danish Girl
Inside Out
The Revenant
Mad Max: Fury Road
Best Animated Film Anomalisa
The Good Dinosaur
Inside Out
Shaun the Sheep
The Peanuts Movie
Best Foreign-Language Film The Club
The Fencer
Mustang
Son of Saul
Brand New Testament
TELEVISION
Best Television Series Comedy or Musical Casual
Mozart in the Jungle
Silicon Valley
Transparent
Orange Is the New Black
Veep
Best Television Drama Empire
Game of Thrones
Narcos
Outlander
Mr. Robot
Best Actress, Television Drama Caitriona Balfe, Outlander
Viola Davis, How to Get Away With Murder
Eva Green, Penny Dreadful
Taraji P. Henson, Empire
Robin Wright, House of Cards
Best Actor, Television Drama Jon Hamm, Mad Men
Rami Malek, Mr. Robot
Wagner Moura, Narcos
Bob Odenkirk, Better Call Saul
Liev Schreiber, Ray Donovan
Best Actor in a Television Series Comedy or Musical Aziz Anzari, Master of None Gael García Bernal, Mozart in the Jungle
Rob Lowe, The Grinder
Patrick Stewart, Blunt Talk
Jeffrey Tambor, Transparent
Best Actress in a Television Series Comedy or Musical
Rachel Bloom, Crazy Ex-Girlfriend Jamie Lee-Curtis, Scream Queens
Julia Louis-Dreyfus, Veep Gina Rodriguez, Jane the Virgin Lily Tomlin, Grace and Frankie
Best Mini-Series or Motion Picture Made for Television American Crime
Fargo
Flesh and Bone
Wolf Hall
American Horror Story: Hotel
Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
Idris Elba, Luther
Oscar Isaac, Show Me a Hero
David Oyelowo, Nightingale
Mark Rylance, Wolf Hall
Patrick Wilson, Fargo
Best Performance by an Actress In A Mini-series or Motion Picture Made for Television Lady Gaga, American Horror Story: Hotel
Sarah Hay, Flesh & Bone
Felicity Huffman, American Crime
Queen Latifah, Bessie
Kirsten Dunst, Fargo
Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Alan Cumming, The Good Wife
Damien Lewis, Wolf Hall
Ben Mendelsohn, Bloodline
Tobias Menzies, Outlander
Christian Slater, Mr. Robot
Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television Uzo Aduba, Orange Is the New Black Joanne Froggatt, Downton Abbey Judith Light, Transparent Maura Tierney, The Affair Regina King, American Crime
Los Premios Emmy® 2015 a la Televisión ya anunciaron su lista de nominados, la ceremonia se llevará a cabo el 20 de Septiembre, conducida por el actor Andy Samberg.
Este año los Emmy’s a pesar de apegarse a ciertas tendencias que no tienen mucho sentido, han sido coherentes con algunas nominaciones que debían estar en la palestra, un ejemplo es Tatiana Maslany de Orphan Black, un Emmy que le deben a la actriz desde que estrenó la serie.
Game of Thrones domina esta noche, hasta compartiendo categoría con dos miembros del cast. Pueden haber premios emotivos, si le dan a Lisa Kudrow el Emmy por su incomparable actuación en The Comeback y es posible que se den situaciones para la gran foto de la noche, Matt LeBlanc y Lisa Kudrow compartiendo Emmy’s diez años después que finalizó la aclamada Friends.
Dicho esto, les presentamos una selección de nuestros nominados favoritos en las categorías principales, igual acá pueden ver la lista completa.
MEJOR SERIE DRAMA
La más fuerte en esta categoría sin duda es GAME OF THRONES. La 5ta temporada de la serie de Weiss y Benioff ha sido la más intensa de todas. Su narrativa poco lineal y con grandes twist dramáticos, le dieron la oportunidad de resaltar hasta a los personajes secundarios que no brillaban tanto en otras temporadas. En peso le siguen DOWNTON ABBEY, HOMELAND y ORANGE IS THE NEW BLACK.
MEJOR SERIE COMEDIA
VEEP es la contendiente más fuerte para el 2015. No solo por el hecho de que Julia-Louise Dreyfous se come el show, sino que el ensamble de cast es descomunal esta temporada, incluyendo la llegada de Hugh Laurie (House MD) como contraparte fuerte. En esta categoría falta una nominación también para THE COMEBACK.
MEJOR ACTOR DRAMA
Bob Odenkirk por BETTER CALL SAUL le hace competencia fuerte a Kevin Spacey por HOUSE OF CARDS. Hay que ver si los Emmy’s sorprenden o se repiten este año.
MEJOR ACTRIZ DRAMA
Esta categoría es más complicada de lo usual. La realmente merecedora del galardón es Tatiana Maslany por su primera nominación interpretando más de cuatro roles en ORPHAN BLACK. La versatilidad de Maslany es algo que se evidencia desde la primera temporada de esta serie monumental, vetada por premiaciones por no formar parte de los networks principales. Aunque también podemos mencionar la fenomenal actuación de Taraji P. Henson en EMPIRE, es lo único que vale la pena en la serie, sin dejar afuera a Claire Danes por HOMELAND y a Viola Davis por la primera temporada de HOW TO GET AWAY WITH MURDER.
MEJOR ACTOR PARA MINI SERIE O PELÍCULA DE TELEVISIÓN
Richard Jenkins y su conmovedora actuación en OLIVE KITTERIDGE debería ganar el Emmy en esta categoría.
MEJOR ACTRIZ PARA MINI SERIE O PELÍCULA DE TELEVISIÓN
Maggie Gyllenhaal por THE HONORABLE WOMAN es sin duda fuera de serie, aunque la acompaña Frances McDormand por OLIVE KITTERIDGE. Ya veremos.
MEJOR ACTOR COMEDIA
Matt LeBlanc es el genio de esta categoría por EPISODES. Aunque si los Emmy’s basan sus ganadores en trends actuales, capaz se lo den a Jeffrey Tambor por TRANSPARENT.
MEJOR ACTRIZ COMEDIA
Pienso que sin duda Lisa Kudrow debería ganar el Emmy en paralelo con su personale Valerie por THE COMEBACK. Es el performance más multifacético de esta categoría, impresionante lo que Kudrow trae a la pantalla en esta tragicomedia. Le siguen de cerca Julia Louis-Dreyfus por VEEP y Lily Tomlin por GRACE AND FRANKIE. La payasa cero graciosa de Amy Schumer no debería ni figurar al lado de estas grandes ligas.
MEJOR SERIE LIMITADA
La mejor en esta categoría es THE HONORABLE WOMAN, no solo por todo lo que transmite, sino por lo complicado que fue filmarla.
MEJOR ACTOR SECUNDARIO DRAMA
Peter Dinklage de GAME OF THRONES encabeza esta categoría, por el 1:1 más intenso que se ha escrito hasta ahora para la serie, Tyrion Lannister y Daenerys Targaryen. Le sigue Jim Carter por un performance fenomenal en DOWNTON ABBEY.
MEJOR ACTRIZ SECUNDARIA DRAMA
A quitarse el sombrero con Lena Headey por Mother Mercy en GAME OF THRONES. The Walk of Shame no tiene comparación en esta temporada de premios. A pesar que le siguen de cerca Joanne Froggatt por DOWNTON ABBEY y Uzo Aduba por ORANGE IS THE NEW BLACK.
MEJOR ACTOR INVITADO DRAMA
El mejor es Alan Alda por THE BLACKLIST. A esta serie la salvan los performance de los actores de carácter, no la nueva generación.
MEJOR ACTRIZ INVITADA DRAMA
Las fuertes contendientes son la madre de Olivia Pope en SCANDAL, Khandi Alexander y Diana Rigg por GAME OF THRONES. Cicely Tyson puede colocarse cerca por HOW TO GET AWAY WITH MURDER.
MEJOR ACTOR SECUNDARIO COMEDIA
Tony Hale por VEEP es para matarse de la risa, como siempre. Merece el Emmy.
MEJOR ACTRIZ SECUNDARIA COMEDIA
Nuevamente VEEP arrasando esta temporada, el break down de nervios y crisis de Anna Chlumsky no tiene comparación. La pueden seguir Mayim Bialik que siempre destaca en THE BIG BANG THEORY y Allison Janney en MOM.
MEJOR ACTRIZ INVITADA COMEDIA
Christine Baranski siempre la parte en THE BIG BANG THEORY, otra grandes ligas que merece el Emmy. Gaby Hoffman sobra totalmente en esta categoría por GIRLS, a menos que salir en pelotas sea un mérito.
MEJOR ACTOR INVITADO PARA MINISERIE O PELÍCULA
Bill Murray aparece muy poco en OLIVE KITTERIDGE pero le vale ganar el galardón.
MEJOR ACTRIZ INVITADA PARA MINISERIE O PELÍCULA
Sin duda la doble actuación de Sarah Paulson en AMERICAN HORROR STORY: FREAK SHOW es lo único que valió la pena esta temporada de la serie. Impresionante Paulson como siempre.
En las siguientes categorías están seleccionados los nominados que tienen mayor potencial a ganar la estatuilla, con toda su ficha técnica:
GUIÓN SERIE DRAMA
David Benioff and D.B. Weiss for Game Of Thrones, “Mother’s Mercy” from HBO, HBO Entertainment in association with Bighead, Littlehead, Television 360, Startling Television and Generator Productions
DIRECCIÓN SERIE DRAMA
David Nutter for Game Of Thrones, “Mother’s Mercy” from HBO, HBO Entertainment in association with Bighead, Littlehead, Television 360, Startling Television and Generator Productions
GUIÓN SERIE COMEDIA
Simon Blackwell, Armando Iannucci and Tony Roche for Veep, “Election Night” from HBO, HBO Entertainment in association with Dundee Productions
DIRECCIÓN SERIE COMEDIA
Armando Iannucci for Veep, “Testimony” from HBO, HBO Entertainment in association with Dundee Productions
GUIÓN PARA MINISERIE O PELÍCULA DE TELEVISIÓN
Hugo Blick for “The Honorable Woman” from SundanceTV, Drama Republic and Eight Rooks Productions for BBC TWO, co-produced by SundanceTV
Jane Anderson or “Olive Kitteridge” from HBO, HBO Miniseries in association with Playtone
DIRECCIÓN PARA MINISERIE O PELÍCULA DE TELEVISIÓN
Hugo Blick for “The Honorable Woman” from SundanceTV, Drama Republic and Eight Rooks Productions for BBC TWO, co-produced by SundanceTV
MEJOR DIRECCIÓN DE ARTE PARA UNA SERIE CON NARRATIVA CONTEMPORÁNEA, FANTASÍA O MINISERIE
Deborah Riley, Paul Ghirardani and Rob Cameron for Game of Thrones “High Sparrow” “Unbowed, Unbent, Unbroken” “Hardhome” from HBO, HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
Doug Kraner, Laura Ballinger Gardner and Regina Graves for Gotham “Pilot” from FOX, Warner Bros. Television
MEJOR DIRECCIÓN DE ARTE PARA UNA SERIE PERÍODO
Donal Woods, Mark Kebby and Linda Wilson for Downton Abbey “Episode 9″ from PBS, A Carnival Films/Masterpiece Co-Production in association with NBC Universal
MEJOR DIRECCIÓN DE ARTE PARA SERIES DE MEDIA HORA
John Shaffner, Francoise Cherry-Cohen and Ann Shea for The Big Bang Theory “The First Pitch Insufficiency” “The Clean Room Infilltration” “The Skywalker Incursion” from CBS, Chuck Lorre Productions, Inc. in association with Warner Bros. Television
MEJOR CAST PARA UNA SERIE DE COMEDIA
Allison Jones, Meredith Tucker and Pat Moran for “Veep”
MEJOR CAST PARA UNA SERIE DRAMA
Jill Trevellick for “Downton Abbey” from PBS, A Carnival Films/Masterpiece Co-Production in association with NBC Universal
Nina Gold, Robert Sterne and Carla Stronge for “Game Of Thrones” from HBO, HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
MEJOR CAST PARA UNA MINISERIE O PELÍCULA DE TELEVISIÓN
Laura Rosenthal and Carolyn Pickman for “Olive Kitteridge” from HBO, HBO Miniseries in association with Playtone
CINEMATOGRAFÍA PARA UNA SERIE MULTI-CÁMARA
The Big Bang Theory • The Expedition Approximation • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television
CINEMATOGRAFÍA PARA SERIE DE UNA CÁMARA
Game Of Thrones • The Dance Of Dragons • HBO • HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
CINEMATOGRAFÍA PARA MINISERIE O PELÍCULA DE TELEVISIÓN
American Horror Story: Freak Show • Monsters Among Us • FX Networks • 20th Century Fox Television
Michael Goi, ASC, ISC, Director of Photography
VESTUARIO PARA UNA SERIE DE PERÍODO/FANTASÍA, MINISERIE O PELÍCULA DE TELEVISIÓN
Downton Abbey • Episode 9 • PBS • A Carnival Films/Masterpiece Co-Production in association with NBC Universal
Anna Mary Scott Robbins, Costume Designer
Michael Weldon, Costume Supervisor
Kathryn Tart, Assistant Costume Designer
Game Of Thrones • The Dance Of Dragons • HBO • HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
Michele Clapton, Costume Designer
Sheena Wichary, Costume Supervisor
Nina Ayres, Assistant Costume Designer
Alex Fordham, Assistant Costume Designer
MEJOR COMPOSICIÓN MUSICAL PARA UNA SERIE DRAMA
Penny Dreadful • Closer Than Sisters • Showtime • SHOWTIME Presents in association with SKY
Abel Korzeniowski
MEJOR COMPOSICIÓN MUSICAL PARA UNA MINISERIE O PELICULA DE TELEVISION
American Horror Story: Freak Show • Orphans • FX Networks • 20th Century Fox Television
Mac Quayle
MEJOR COMPOSICIÓN MUSICAL DE CRÉDITOS
Penny Dreadful • Showtime • SHOWTIME Presents in association with SKY
Abel Korzeniowski
MEJORES EFECTOS ESPECIALES
Game Of Thrones • The Dance Of Dragons • HBO • HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
Steve Kullback, Visual Effects Producer
Joe Bauer, Visual Effects Supervisor
Adam Chazen, Visual Effects Associate Producer
Jabbar Raisani, Visual Effects Plate Supervisor
Eric Carney, Visual Effects Previs Lead
Stuart Brisdon, Special Effects Supervisor
Derek Spears, Lead CG Supervisor
James Kinnings, Lead Animator
Matthew Rouleau, CG Supervisor
MEJORES EFECTOS ESPECIALES EN UN PERSONAJE SECUNDARIO
American Horror Story: Freak Show • Edward Mordrake, Part 2 • FX Networks • 20th Century Fox Television
Jason Piccioni, Visual Effects Supervisor
Justin Ball, Visual Effects Supervisor
Jason Spratt, VFX Producer
Tim Jacobsen, VFX Producer
David Altenau, Compositing Supervisor
Tommy Tran, Lead Compositor
Mike Kirylo, Lead CG Artist
Matt Lefferts, CG Artist
Donnie Dean, SFX Supervisor
MEJOR COORDINACIÓN DE STUNTS EN UNA SERIE DRAMA, MINISERIE O PELÍCULA DE TELEVISIÓN
The Walking Dead • AMC • AMC Studios / Stalwart Films, LLC / Circle of Confusion / Valhalla Entertainment
Monty Simons, Stunt Coordinator
Se nos va un año más y lo que podemos decir es que el 2014 estuvo repleto de buenas producciones, tanto en el Cine como en la Televisión.
No solo el caso de ver reflejado el cine de autor en mega producciones de Hollywood, sino la premisa de tantas buenas películas de acción y entretenimiento, que se convertirán en clásicos instantáneos de repisa.
Christopher Nolan en el set de INTERSTELLAR
Por su parte la Televisión, como lo ha probado en los últimos años, no para de sorprender. Este año nuevamente fue el de la pantalla chica, claramente rompiéndose la brecha que siempre ha existido con su hermana mayor. Ya no hay límites en la Televisión, no todo es un sitcom o una serie policíaca a lo Miami Vice. El 2014 trajo no solo el escándalo de Sony y lo apresurado de ABC en cancelar series que no vivieron su potencial, sino también nuevo material y nuevas temporadas de shows que mejoran a medida que avanzan.
El 2014 fue el año de #breaktheinternet y se puede decir que la rompió generando nuevos hitos que perdurarán con el tiempo. Drama, Ciencia Ficción, todo tipo de Comedias, Romance, Política, Acción, Super Héroes, Biografías, Historia y pare de contar, son los géneros más desarrollados y mezclados este año que termina.
Filmación de “The Purple Wedding” en la 4ta temporada de GAME OF THRONES
A continuación presentamos una lista práctica con lo Mejor del Cine y la Televisión este 2014, que si no las vieron, siempre pueden cazarlas por Netflix, Hulu o cualquier otro servidor con el que ya estén familiarizados. Todo está en la red.
MEJORES PELÍCULAS:
Una selección de las mejores películas del 2014, en las que se cruzan films galardonados en la temporada de premios y otros que resultaron ser unas gemas en el año, siendo un tanto desvalorizados.
1. LUCY: Luc Besson
2. INTERSTELLAR: Christopher Nolan
3. THE IMITATION GAME: Morten Tyldum
4. BIG EYES: Tim Burton
5. THE THEORY OF EVERYTHING: James Marsh
6. MALEFICENT: Robert Stromberg
7. X-MEN DAYS OF FUTURE PAST: Bryan Singer
8. GONE GIRL: David Fincher
9. GUARDIANS OF THE GALAXY: James Gunn
10. BOYHOOD: Richard Linklater
11. INTO THE WOODS: Rob Marshall
12. EDGE OF TOMORROW: Doug Liman
13. THE GRAND BUDAPEST HOTEL: Wes Anderson
14. SIN CITY A DAME TO KILL FOR: Frank Miller y Robert Rodriguez
15. CAKE: Daniel Barns
16. RURONI KENSHIN KYOTO TAIKA-HEN: Keishi Ohtomo
17. MY OLD LADY: Israel Horovitz
18. THE HUNGER GAMES MOCKINGJAY PART 1: Francis Lawrence
19. MONUMENTS MEN: George Clooney
20. UNBROKEN: Angelina Jolie
21. FOXCATCHER: Bennett Miller
22. BIRDMAN: Alejandro González Iñárritu
23. A MOST VIOLENT YEAR: J. C. Chandor
24. ANNIE: Will Gluck
25. THE BOXTROLLS: Graham Annable y Anthony Stacchi
MEJORES SERIES DE TELEVISIÓN:
En el resumen de las series hacemos una mezcla entre las que estrenaron en 2014 y vale la pena ver, con las que tuvieron sus mejores temporadas este año.
1. GAME OF THRONES: 4ta Temporada
2. HOMELAND: 4ta Temporada
3. THE FLASH: Estreno en 2014
4. THE BLACKLIST: 2da Temporada
5. THE WALKING DEAD: 5ta Temporada
6. VICIOUS: Estreno en 2014
8. SELFIE: 1era Temporada cancelada prematuramente por ABC
9. VEEP: 3ra Temporada
10. SCANDAL: 4ta Temporada
11. PENNY DREADFUL: Estreno en 2014
12. ORANGE IS THE NEW BLACK: 2da Temporada
13. ARROW: 3ra Temporada
14. PERSON OF INTEREST: 4ta Temporada
15. OUTLANDER: Estreno en 2014
16. ONCE UPON A TIME: 4ta Temporada
17. JANE THE VIRGIN: Estreno en 2014
18. OLIVE KITTERIDGE: Mini-Serie de HBO
19. HOW TO GET AWAY WITH MURDER: Estreno en 2014
20. TRUE DETECTIVE: Estreno en 2014
21. GIRLS: 3ra Temporada
22. DOWNTON ABBEY: 5ta Temporada
23. GREY’S ANATOMY: 11va Temporada
24. DOCTOR WHO: 8va Temporada
25. GOTHAM: Estreno en 2014
En el próximo resumen hablaremos de lo que se viene para el 2015, promete estar lleno de grandes producciones.
A continuación presentamos las listas de Pre-Nominados hasta la fecha, en algunas categorías del OSCAR 2015.
La Academia está en proceso de votaciones y las listas oficiales de Nominados serán anunciadas la tercera semana de Enero. Los OSCAR 2015 se celebraran el 22 de Febrero.
MEJOR CANCIÓN ORIGINAL:
“It’s On Again” from “The Amazing Spider-Man 2”
“Opportunity” from “Annie”
“Lost Stars” from “Begin Again”
“Grateful” from “Beyond the Lights”
“Big Eyes” from “Big Eyes”
“Immortals” from “Big Hero 6”
“The Apology Song” from “The Book of Life”
“I Love You Too Much” from “The Book of Life”
“The Boxtrolls Song” from “The Boxtrolls”
“Quattro Sabatino” from “The Boxtrolls”
“Ryan’s Song” from “Boyhood”
“Split The Difference” from “Boyhood”
“No Fate Awaits Me” from “The Disappearance of Eleanor Rigby: Them”
“Brave Souls” from “Dolphin Tale 2”
“You Got Me” from “Dolphin Tale 2”
“All Our Endless Love” from “Endless Love”
“Let Me In” from “The Fault in Our Stars”
“Not About Angels” from “The Fault in Our Stars”
“Until The End” from “Garnet’s Gold”
“It Just Takes A Moment” from “Girl on a Bicycle”
“Last Stop Paris” from “Girl on a Bicycle”
“Ordinary Human” from “The Giver”
“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”
“Find A Way” from “The Good Lie”
“Color The World” from “The Hero of Color City”
“The Last Goodbye” from “The Hobbit: The Battle of the Five Armies”
“Chariots” from “The Hornet’s Nest”
“Follow Me” from “The Hornet’s Nest”
“Something To Shoot For” from “Hot Guys with Guns”
“For The Dancing And The Dreaming” from “How to Train Your Dragon 2”
“Afreen” from “The Hundred-Foot Journey”
“Yellow Flicker Beat” from “The Hunger Games: Mockingjay – Part 1”
“Heart Like Yours” from “If I Stay”
“I Never Wanted To Go” from “If I Stay”
“Mind” from “If I Stay”
“Everything Is Awesome” from “The Lego Movie”
“Call Me When You Find Yourself” from “Life Inside Out”
“Coming Back To You” from “Life of an Actress The Musical”
“The Life Of An Actress” from “Life of an Actress The Musical”
“Sister Rust” from “Lucy”
“You Fooled Me” from “Merchants of Doubt”
“Million Dollar Dream” from “Million Dollar Arm”
“Spreading The Word/Makhna” from “Million Dollar Arm”
“We Could Be Kings” from “Million Dollar Arm”
“A Million Ways To Die” from “A Million Ways to Die in the West”
“Way Back When” from “Mr. Peabody & Sherman”
“America For Me” from “A Most Violent Year”
“I’ll Get You What You Want (Cockatoo In Malibu)” from “Muppets Most Wanted”
“Something So Right” from “Muppets Most Wanted”
“We’re Doing A Sequel” from “Muppets Most Wanted”
“Mercy Is” from “Noah”
“Seeds” from “Occupy the Farm”
“Grant My Freedom” from “The One I Wrote for You”
“The One I Wrote For You” from “The One I Wrote for You”
“Hal” from “Only Lovers Left Alive”
“Shine” from “Paddington”
“Still I Fly” from “Planes: Fire & Rescue”
“Batucada Familia” from “Rio 2”
“Beautiful Creatures” from “Rio 2”
“Poisonous Love” from “Rio 2”
“What Is Love” from “Rio 2”
“Over Your Shoulder” from “Rudderless”
“Sing Along” from “Rudderless”
“Stay With You” from “Rudderless”
“Everyone Hides” from “St. Vincent”
“Why Why Why” from “St. Vincent”
“Glory” from “Selma”
“The Morning” from “A Small Section of the World”
“Special” from “Special”
“Gimme Some” from “#Stuck”
“The Only Thing” from “Third Person”
“Battle Cry” from “Transformers: Age of Extinction”
“Miracles” from “Unbroken”
“Summer Nights” from “Under the Electric Sky”
“We Will Not Go” from “Virunga”
“Heavenly Father” from “Wish I Was Here”
“So Now What” from “Wish I Was Here”
“Long Braid” from “Work Weather Wife”
“Moon” from “Work Weather Wife”
MEJOR MAQUILLAJE Y ESTILISMO:
MALEFICENT- DETRÁS DEL DISEÑO DE VESTUARIO Y MAQUILLAJE (Click a la imagen)
“The Amazing Spider-Man 2”
“Foxcatcher”
“The Grand Budapest Hotel”
“Guardians of the Galaxy”
“Maleficent”
“Noah”
“The Theory of Everything”
MEJOR MUSICALIZACIÓN ORIGINAL:
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud, composer
“Dawn of the Planet of the Apes,” Michael Giacchino, composer
“The Disappearance of Eleanor Rigby: Them,” Son Lux, composer
“Divergent,” Tom Holkenborg, composer
“Dolphin Tale 2,” Rachel Portman, composer
“Dracula Untold,” Ramin Djawadi, composer
“Draft Day,” John Debney, composer
“The Drop,” Marco Beltrami and Buck Sanders, composers
“Earth to Echo,” Joseph Trapanese, composer
“Edge of Tomorrow,” Christophe Beck, composer
“Endless Love,” Christophe Beck and Jake Monaco, composers
“The Equalizer,” Harry Gregson-Williams, composer
“Exodus: Gods and Kings,” Alberto Iglesias, composer
“The Fault in Our Stars,” Mike Mogis, composer
“Finding Vivian Maier,” J. Ralph, composer
“Fury,” Steven Price, composer
“Garnet’s Gold,” J. Ralph, composer
“Girl on a Bicycle,” Craig Richey, composer
“The Giver,” Marco Beltrami, composer
“Godzilla,” Alexandre Desplat, composer
“Gone Girl,” Trent Reznor and Atticus Ross, composers
“The Good Lie,” Martin Léon, composer
“The Grand Budapest Hotel,” Alexandre Desplat, composer
“The Great Flood,” Bill Frisell, composer
“Hercules,” Fernando Velázquez, composer
“The Hero of Color City,” Zoë Poledouris-Roché and Angel Roché, Jr., composers
“The Hobbit: The Battle of the Five Armies,” Howard Shore, composer
“The Homesman,” Marco Beltrami, composer
“Horrible Bosses 2,” Christopher Lennertz, composer
“How to Train Your Dragon 2,” John Powell, composer
“The Hundred-Foot Journey,” A.R. Rahman, composer
“The Hunger Games: Mockingjay – Part 1,” James Newton Howard, composer
“I Origins,” Will Bates and Phil Mossman, composers
“The Imitation Game,” Alexandre Desplat, composer
“Inherent Vice,” Jonny Greenwood, composer
“Interstellar,” Hans Zimmer, composer
“The Interview,” Henry Jackman, composer
“Into the Storm,” Brian Tyler, composer
“Jal,” Sonu Nigam and Bickram Ghosh, composers
“The Judge,” Thomas Newman, composer
“Kill the Messenger,” Nathan Johnson, composer
“Kochadaiiyaan,” A.R. Rahman, composer
“Legends of Oz: Dorothy’s Return,” Toby Chu, composer
“The Lego Movie,” Mark Mothersbaugh, composer
“The Liberator,” Gustavo Dudamel, composer
“Life Itself,” Joshua Abrams, composer
“Living Is Easy with Eyes Closed,” Pat Metheny, composer
“Lucy,” Eric Serra, composer
“Maleficent,” James Newton Howard, composer
“The Maze Runner,” John Paesano, composer
“Merchants of Doubt,” Mark Adler, composer
“Million Dollar Arm,” A.R. Rahman, composer
“A Million Ways to Die in the West,” Joel McNeely, composer
“Mr. Peabody & Sherman,” Danny Elfman, composer
“Mr. Turner,” Gary Yershon, composer
“The Monuments Men,” Alexandre Desplat, composer
“A Most Violent Year,” Alex Ebert, composer
“My Old Lady,” Mark Orton, composer
“Night at the Museum: Secret of the Tomb,” Alan Silvestri, composer
“Nightcrawler,” James Newton Howard, composer
“No God, No Master,” Nuno Malo, composer
“Noah,” Clint Mansell, composer
“Non-Stop,” John Ottman, composer
“The One I Love,” Danny Bensi and Saunder Jurriaans, composers
“Ouija,” Anton Sanko, composer
“Paddington,” Nick Urata, composer
“Penguins of Madagascar,” Lorne Balfe, composer
“Pompeii,” Clinton Shorter, composer
“The Purge: Anarchy,” Nathan Whitehead, composer
“The Railway Man,” David Hirschfelder, composer
“Red Army,” Christophe Beck and Leo Birenberg, composers
“Ride Along,” Christopher Lennertz, composer
“Rocks in My Pockets,” Kristian Sensini, composer
“Rosewater,” Howard Shore, composer
“St. Vincent,” Theodore Shapiro, composer
“The Salt of the Earth,” Laurent Petitgand, composer
“Selma,” Jason Moran, composer
“The Signal,” Nima Fakhrara, composer
“Snowpiercer,” Marco Beltrami, composer
“Song of the Sea,” Bruno Coulais, composer
“Still Alice,” Ilan Eshkeri, composer
“The Tale of the Princess Kaguya,” Joe Hisaishi, composer
“Teenage Mutant Ninja Turtles,” Brian Tyler, composer
“That Awkward Moment,” David Torn, composer
“The Theory of Everything,” Jóhann Jóhannsson, composer
“This Is Where I Leave You,” Michael Giacchino, composer
“300: Rise of an Empire,” Tom Holkenborg, composer
“Tracks,” Garth Stevenson, composer
“Transformers: Age of Extinction,” Steve Jablonsky, composer
“22 Jump Street,” Mark Mothersbaugh, composer
“Unbroken,” Alexandre Desplat, composer
“Under the Skin,” Mica Levi, composer
“Virunga,” Patrick Jonsson, composer
“Visitors,” Philip Glass, composer
“A Walk among the Tombstones,” Carlos Rafael Rivera, composer
“Walking with the Enemy,” Timothy Williams, composer
“Wild Tales,” Gustavo Santaolalla, composer
“X-Men: Days of Future Past,” John Ottman, composer
MEJORES EFECTOS ESPECIALES (VFX):
“Captain America: The Winter Soldier”
“Dawn of the Planet of the Apes”
“Godzilla”
“Guardians of the Galaxy”
“The Hobbit: The Battle of the Five Armies”
“Interstellar”
“Maleficent”
“Night at the Museum: Secret of the Tomb”
“Transformers: Age of Extinction”
“X-Men: Days of Future Past”
MEJOR CORTOMETRAJE:
“Aya,” Oded Binnun and Mihal Brezis, directors (Chasis Films)
“Baghdad Messi,” Sahim Omar Kalifa, director, and Kobe Van Steenberghe, producer (a team productions)
“Boogaloo and Graham,” Michael Lennox, director, and Ronan Blaney, writer (Out of Orbit)
“Butter Lamp (La Lampe Au Beurre De Yak),” Hu Wei, director, and Julien Féret, producer (AMA Productions)
“Carry On,” Yatao Li, director (Rochester Institute of Technology)
“My Father’s Truck,” Maurício Osaki, director (Lupi Filmes)
“Parvaneh,” Talkhon Hamzavi, director, and Stefan Eichenberger, producer (Zurich University of Arts)
“The Phone Call,” Mat Kirkby, director, and James Lucas, writer (RSA Films)
“SLR,” Stephen Fingleton, director, and Matthew James Wilkinson, producer (Stigma Films)
MEJOR DOCUMENTAL:
“Art and Craft,” Purple Parrot Films
“The Case against 8,” Day in Court
“Citizen Koch,” Elsewhere Films
“CitizenFour,” Praxis Films
“Finding Vivian Maier,” Ravine Pictures
“The Internet’s Own Boy,” Luminant Media
“Jodorowsky’s Dune,” City Film
“Keep On Keepin’ On,” Absolute Clay Productions
“The Kill Team,” f/8 filmworks
“Last Days in Vietnam,” Moxie Firecracker Films
“Life Itself,” Kartemquin Films and Film Rites
“The Overnighters,” Mile End Films West
“The Salt of the Earth,” Decia Films
“Tales of the Grim Sleeper,” Lafayette Film
“Virunga,” Grain Media
MEJOR PELÍCULA EXTRANJERA:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić, director;
Cuba, “Conducta,” Ernesto Daranas Serrano, director;
Czech Republic, “Fair Play,” Andrea Sedláčková, director;
Denmark, “Sorrow and Joy,” Nils Malmros, director;
Dominican Republic, “Cristo Rey,” Leticia Tonos, director;
Ecuador, “Silence in Dreamland,” Tito Molina, director;
Egypt, “Factory Girl,” Mohamed Khan, director;
Estonia, “Tangerines,” Zaza Urushadze, director;
Ethiopia, “Difret,” Zeresenay Berhane Mehari, director;
Finland, “Concrete Night,” Pirjo Honkasalo, director;
France, “Saint Laurent,” Bertrand Bonello, director;
Georgia, “Corn Island,” George Ovashvili, director;
Germany, “Beloved Sisters,” Dominik Graf, director;
Greece, “Little England,” Pantelis Voulgaris, director;
Hong Kong, “The Golden Era,” Ann Hui, director;
Hungary, “White God,” Kornél Mundruczó, director;
Iceland, “Life in a Fishbowl,” Baldvin Zophoníasson, director;
India, “Liar’s Dice,” Geetu Mohandas, director;
Indonesia, “Soekarno,” Hanung Bramantyo, director;
Iran, “Today,” Reza Mirkarimi, director;
Iraq, “Mardan,” Batin Ghobadi, director;
Ireland, “The Gift,” Tom Collins, director;
Israel, “Gett, the Trial of Viviane Amsalem,” Ronit Elkabetz and Shlomi Elkabetz, directors;
Italy, “Human Capital,” Paolo Virzì, director;
Japan, “The Light Shines Only There,” Mipo O, director;
Kosovo, “Three Windows and a Hanging,” Isa Qosja, director;
Kyrgyzstan, “Kurmanjan Datka Queen of the Mountains,” Sadyk Sher-Niyaz, director;
Latvia, “Rocks in My Pockets,” Signe Baumane, director;
Lebanon, “Ghadi,” Amin Dora, director;
Lithuania, “The Gambler,” Ignas Jonynas, director;
Luxembourg, “Never Die Young,” Pol Cruchten, director;
Macedonia, “To the Hilt,” Stole Popov, director;
Malta, “Simshar,” Rebecca Cremona, director;
Mauritania, “Timbuktu,” Abderrahmane Sissako, director;
Mexico, “Cantinflas,” Sebastián del Amo, director;
Moldova, “The Unsaved,” Igor Cobileanski, director;
Montenegro, “The Kids from the Marx and Engels Street,” Nikola Vukčević, director;
Morocco, “The Red Moon,” Hassan Benjelloun, director;
Nepal, “Jhola,” Yadav Kumar Bhattarai, director;
Netherlands, “Accused,” Paula van der Oest, director;
New Zealand, “The Dead Lands,” Toa Fraser, director;
Norway, “1001 Grams,” Bent Hamer, director;
Pakistan, “Dukhtar,” Afia Nathaniel, director;
Palestine, “Eyes of a Thief,” Najwa Najjar, director;
Panama, “Invasion,” Abner Benaim, director;
Peru, “The Gospel of the Flesh,” Eduardo Mendoza, director;
Philippines, “Norte, the End of History,” Lav Diaz, director;
Poland, “Ida,” Paweł Pawlikowski, director;
Portugal, “What Now? Remind Me,” Joaquim Pinto, director;
Romania, “The Japanese Dog,” Tudor Cristian Jurgiu, director;
Russia, “Leviathan,” Andrey Zvyagintsev, director;
Serbia, “See You in Montevideo,” Dragan Bjelogrlić, director;
Singapore, “Sayang Disayang,” Sanif Olek, director;
Slovakia, “A Step into the Dark,” Miloslav Luther, director;
Slovenia, “Seduce Me,” Marko Šantić, director;
South Africa, “Elelwani,” Ntshavheni Wa Luruli, director;
South Korea, “Haemoo,” Shim Sung-bo, director;
Spain, “Living Is Easy with Eyes Closed,” David Trueba, director;
Sweden, “Force Majeure,” Ruben Östlund, director;
Switzerland, “The Circle,” Stefan Haupt, director;
Taiwan, “Ice Poison,” Midi Z, director;
Thailand, “The Teacher’s Diary,” Nithiwat Tharathorn, director;
Turkey, “Winter Sleep,” Nuri Bilge Ceylan, director;
Ukraine, “The Guide,” Oles Sanin, director;
United Kingdom, “Little Happiness,” Nihat Seven, director;
Uruguay, “Mr. Kaplan,” Álvaro Brechner, director;
Venezuela, “The Liberator,” Alberto Arvelo, director.
[UPDATE] 20-12-14:
La Academia acaba de anunciar la lista que queda de MEJOR PELÍCULA EXTRANJERA, reducida ahora a nueve (9) candidatas:
Todos los años muchos factores influyen en que una serie de televisión se mantenga al aire, pero el más importante es la audiencia.
Así como ya están confirmadas las nuevas temporadas de Supernatural y The Blacklist, Two And a Half-Men pende de un hilo y Once Upon A Time in Wonderland fue cancelada después de su primera temporada.
A continuación les dejamos la lista con las series de NBC, ABC, CBS, Fox y CW, para el 2014-2014, en categorías de: Canceladas, Rumor de Cancelación, En una burbuja, Rumor de Re-novación y Re-novadas.
Este es el anuncio en vivo de las Nominaciones a los 86th Oscars®. Jueves, 16 de Enero de 2014 a las 5:30 a.m. (hora de Los Angeles), en el Samuel Goldwyn Theater.
SOLO EN CINES 